Chas. E Boles AKA Black Bart
About The New Black Bart Poetry Society
The New Black Bart Poetry Society is not a school of poetry nor does it endorse or espouse a particular philosophy of poetry. The Society will entertain most any presentation on the art of poetry, its past, its present, and its future. Explications, delineations, categorizations, taxonomies, and various sundry groupings of poets and their work are of vital interest to the Society membership. See Conditions of Parole for more information.- Follow The New Black Bart Poetry Society on WordPress.com
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Recent Posts
- The Poet’s Jazz Jive
- Black Bart Quarterly Review Of Books
- —Special Collection Gallery—
- —New To The Society’s Shelves—
- Reading & Writing
- Outlaws & Outliers
- Monsters of Vanity
- The Poet As Private Eye
- Needles Auto
- Poetry As Crime; Parole at Ten
- New To The Society’s Shelves, 2022
- DISFIGURED IAMBICS
- David Bromige: Always Better Than You Thought
- The Poet Encounters The Future of Poetry
- Sour Grapes
- What’s The Hold Up?
- How To Rehearse A Strophe
- Joanne Elizabeth Kyger: A Remembrance
- Set One
- Set Two
- Set Three
- Set Four
- Set Five
- Set Six: Art & Photo Gallery, Links & Notes
- Joanne Kyger: The Interview
- The Poet Learns To Surf
- Meditations In An Emergency~Part Two~
- Meditations In An Emergency ~Part One~
- “A Continuous Fabric (Nerve Movie?)” Part Two
- “A Continuous Fabric (Nerve Movie?)”
- Beyond Haiku
- This Heaven Where We Live As Music
- In Close Proximity—Part Two
- In Close Proximity—Part One
- Hello, I Must Be Going [Part II]
- Hello, I Must Be Going [Part I]
- The Education of Pat Nolan
- Whalen & Wieners: Eavesdropping on the Greats
- Fogged In Frisco
- Never Apologize, Never Explain, Part II
- The Poet As Cynic
- Provincialism and the Gentrification of Anglo-American Poetry, Part III
- Provincialism and the Gentrification of Anglo-American Poetry, Part II
- Provincialism and the Gentrification of Anglo-American Poetry, Part I
- On The Use Of Euphemism
- Blue Suede Shoes Redux: The Specimen Issue
- René Taupin’s André Salmon
- Years In The Making
- This Is How Legends Begin
- Montreal Mastermind
- A Taxonomy Of Poets
- hard as nails
- I Remember Tom Clark
- Meditation In A Big Cabin
- Poetry Is A Crowded Room, Part 2
- Bromige Was Here
- The Poet In Love
- The Anselm Hollo Challenge
- Into The Heart Of Wetness
- New To The Society’s Shelves
- Schools of Poetry, Part II
- Schools of Poetry, Part I
- Bill & Lou, Part II
- Bill & Lou, Part I
- How To Write A Preface
- Some Assembly Required
- Poetry Is A Crowded Room
- Bromige Immortalized!
- Rothenberg Poetry University
- The Poetry Reading
- Plagiarism and the Poetry of Ulalume González de León
- Lost And Found In Translation
- now be clay in the ground
- Gary Snyder’s Myths & Text
- The [Attempted] Assassination of Ted Berrigan
- Bathroom Art Galleries
- Snyder’s Cold Mountain
- Report: Scenes From Life
- Poetry In Exile
- Showing Vs. Telling, Part III
- Showing vs. Telling, Part II
- Showing vs. Telling, Part I
- The Great Broadside Swipe
- The NO HAT Lecture
- Nothing Is Forever
- Edgy Dreams
- In Conversation With Maureen Owen
- A Precursor to Haiku
- Commonplace Discoveries: Lew Welch
- Don’t Mess With Bill
- RHYTHM-A-NING
- At A Secret Location
- Jack’s Haiku Letter to Gary
- Epilegomena To The Prolegomena
- Philip Whalen; Beset By Irony
- Quantum Redux
- Minimalist Poetry
- Delete Punctuation
- Contributor’s Notes
- The Dharma Bums; Kerouac’s Dust Jacket Copy
- Someone Else’s Paul Blackburn
- Frank O’Hara’s Lunch Poems 50th Anniversary All-Star Reading
- Little Mag Art
- Way Way West
- Steve Carey, Smith Going Backward
- Scooping Black Bart
- Past Present Future Part II
- Past Present Future, Part I
- Notley Noir
- The Poetics of Defiance
- A Diamond Wired For Sound
- Never Apologize, Never Explain; The Poetry of Philip Whalen
- Who Reads Poetry Anymore?
- Bob Dylan: Musician or Poet?
- W.C.W. and his buddies shifting gears with a sometimes sticking clutch
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Monthly Archives: December 2019
René Taupin’s André Salmon
André Salmon was important to the “Objectivists” because he, “like his friend Guillaume Apollinaire,” was among “the generation which devolved from Symbolism.” The methods which they “devolved” were similar to that of the “Objectivists.” Symbolism discarded, André Salmon now wrote … Continue reading →
Posted in Poetry, Poetry Society
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Tagged André Salmon, Baudelaire, Black Bart, Cubists, Eisenstein, Ezra Pound, George Oppen, Guillaume Apollinaire, Louis Zukofsky, Mallarme, Modern Poetry, nominalism, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, René Taupin, The New Black Bart Poetry Society, The Objectivists
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The New Black Bart Poetry Society 