Chas. E Boles AKA Black Bart
About The New Black Bart Poetry Society
The New Black Bart Poetry Society is not a school of poetry nor does it endorse or espouse a particular philosophy of poetry. The Society will entertain most any presentation on the art of poetry, its past, its present, and its future. Explications, delineations, categorizations, taxonomies, and various sundry groupings of poets and their work are of vital interest to the Society membership. See Conditions of Parole for more information.- Follow The New Black Bart Poetry Society on WordPress.com
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Recent Posts
- The Poet’s Jazz Jive
- Black Bart Quarterly Review Of Books
- —Special Collection Gallery—
- —New To The Society’s Shelves—
- Reading & Writing
- Outlaws & Outliers
- Monsters of Vanity
- The Poet As Private Eye
- Needles Auto
- Poetry As Crime; Parole at Ten
- New To The Society’s Shelves, 2022
- DISFIGURED IAMBICS
- David Bromige: Always Better Than You Thought
- The Poet Encounters The Future of Poetry
- Sour Grapes
- What’s The Hold Up?
- How To Rehearse A Strophe
- Joanne Elizabeth Kyger: A Remembrance
- Set One
- Set Two
- Set Three
- Set Four
- Set Five
- Set Six: Art & Photo Gallery, Links & Notes
- Joanne Kyger: The Interview
- The Poet Learns To Surf
- Meditations In An Emergency~Part Two~
- Meditations In An Emergency ~Part One~
- “A Continuous Fabric (Nerve Movie?)” Part Two
- “A Continuous Fabric (Nerve Movie?)”
- Beyond Haiku
- This Heaven Where We Live As Music
- In Close Proximity—Part Two
- In Close Proximity—Part One
- Hello, I Must Be Going [Part II]
- Hello, I Must Be Going [Part I]
- The Education of Pat Nolan
- Whalen & Wieners: Eavesdropping on the Greats
- Fogged In Frisco
- Never Apologize, Never Explain, Part II
- The Poet As Cynic
- Provincialism and the Gentrification of Anglo-American Poetry, Part III
- Provincialism and the Gentrification of Anglo-American Poetry, Part II
- Provincialism and the Gentrification of Anglo-American Poetry, Part I
- On The Use Of Euphemism
- Blue Suede Shoes Redux: The Specimen Issue
- René Taupin’s André Salmon
- Years In The Making
- This Is How Legends Begin
- Montreal Mastermind
- A Taxonomy Of Poets
- hard as nails
- I Remember Tom Clark
- Meditation In A Big Cabin
- Poetry Is A Crowded Room, Part 2
- Bromige Was Here
- The Poet In Love
- The Anselm Hollo Challenge
- Into The Heart Of Wetness
- New To The Society’s Shelves
- Schools of Poetry, Part II
- Schools of Poetry, Part I
- Bill & Lou, Part II
- Bill & Lou, Part I
- How To Write A Preface
- Some Assembly Required
- Poetry Is A Crowded Room
- Bromige Immortalized!
- Rothenberg Poetry University
- The Poetry Reading
- Plagiarism and the Poetry of Ulalume González de León
- Lost And Found In Translation
- now be clay in the ground
- Gary Snyder’s Myths & Text
- The [Attempted] Assassination of Ted Berrigan
- Bathroom Art Galleries
- Snyder’s Cold Mountain
- Report: Scenes From Life
- Poetry In Exile
- Showing Vs. Telling, Part III
- Showing vs. Telling, Part II
- Showing vs. Telling, Part I
- The Great Broadside Swipe
- The NO HAT Lecture
- Nothing Is Forever
- Edgy Dreams
- In Conversation With Maureen Owen
- A Precursor to Haiku
- Commonplace Discoveries: Lew Welch
- Don’t Mess With Bill
- RHYTHM-A-NING
- At A Secret Location
- Jack’s Haiku Letter to Gary
- Epilegomena To The Prolegomena
- Philip Whalen; Beset By Irony
- Quantum Redux
- Minimalist Poetry
- Delete Punctuation
- Contributor’s Notes
- The Dharma Bums; Kerouac’s Dust Jacket Copy
- Someone Else’s Paul Blackburn
- Frank O’Hara’s Lunch Poems 50th Anniversary All-Star Reading
- Little Mag Art
- Way Way West
- Steve Carey, Smith Going Backward
- Scooping Black Bart
- Past Present Future Part II
- Past Present Future, Part I
- Notley Noir
- The Poetics of Defiance
- A Diamond Wired For Sound
- Never Apologize, Never Explain; The Poetry of Philip Whalen
- Who Reads Poetry Anymore?
- Bob Dylan: Musician or Poet?
- W.C.W. and his buddies shifting gears with a sometimes sticking clutch
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Monthly Archives: October 2020
This Heaven Where We Live As Music
Rounding out Philip Whalen Month is a previously published succinct and insightful review of The Collected Poems of Philip Whalen by Keith Kumasen Abbott who has authored numerous essay and lectures on the American poet and Zen monk appearing in … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Black Bart, Buddhism, California, California Poetry, Ezra Pound, Gary Snyder, Keith Kumasen Abbott, Leslie Scalapino, Michael Rothenberg, Modern Poetry, outlaw poets, Philip Whalen, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, San Francisco, Schools of Poetry, The Collected Poems of Philip Whalen, The New Black Bart Poetry Society, William Carlos Williams, Zenshin Ryufu
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In Close Proximity—Part Two
In Close Proximity—Part Two Excerpts from Side Effect A Journal of Zen Life with Philip Whalen by Tensho David Schneider Tensho David Schneider’s journal, Side Effect, came about from the idea that the sayings and doings of Philip Whalen—Zenshin Ryufu … Continue reading →
Posted in Poetry, Poetry Society
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Tagged 80 Langton Street, Alice Notley, Barrett Watten, Black Bart, Buddhism, California, California Poetry, Clark Coolidge, David Schneider, Gregory Corso, Joanne Kyger, Michael McClure, Modern Poetry, New College, outlaw poets, Philip Whalen, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Talks, Poets, San Francisco, San Francisco Zen Center, Schools of Poetry, Ted Berrigan, The New Black Bart Poetry Society
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In Close Proximity—Part One
In Close Proximity—Part One excerpts from Side Effect A Journal of Zen Life with Philip Whalen by Tensho David Schneider Tensho David Schneider’s journal, Side Effect came about from the idea that the sayings and doings of Philip Whalen—Zenshin Ryufu … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Black Bart, Buddhism, California, California Poetry, David Schneider, Gary Snyder, Jack Kerouac, Modern Poetry, outlaw poets, Philip Whalen, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, San Francisco, San Francisco Zen Center, Schools of Poetry, The New Black Bart Poetry Society
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Hello, I Must Be Going [Part II]
Hello, I Must Be Going [Part II] Excerpts from Thanks For Asking: The Whalen Journal by Steve Silberman In May of 1993, Michael Wenger at the San Francisco Zen Center contacted Steve and asked him if he … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Allen Ginsberg, Black Bart, Buddhism, California, California Poetry, Ezra Pound, Gary Snyder, Hartford Street Zen Center, Jack Kerouac, Kenneth Rexroth, Modern Poetry, Neurotribes, outlaw poets, Philip Whalen, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, San Francisco, Schools of Poetry, Steve Silberman, The New Black Bart Poetry Society, William Carlos Williams
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Hello, I Must Be Going [Part I]
Hello, I Must Be Going [Part I] Excerpts from Thanks For Asking: The Whalen Journal by Steve Silberman . In May of 1993, Michael Wenger at the San Francisco Zen Center contacted … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Albert Saijo, Allen Ginsberg, Buddhism, California Poetry, Don Carpenter, Dylan Thomas, Ezra Pound, Gary Snyder, Hartford Street Zen Center, Jack Kerouac, Jack Spicer, Kenneth Rexroth, Neurotribes, outlaw poets, Philip Whalen, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Robert Duncan, San Francisco, Schools of Poetry, Steve Silberman, The New Black Bart Poetry Society, William Carlos Williams
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2 Comments
The New Black Bart Poetry Society 