Chas. E Boles AKA Black Bart
About The New Black Bart Poetry Society
The New Black Bart Poetry Society is not a school of poetry nor does it endorse or espouse a particular philosophy of poetry. The Society will entertain most any presentation on the art of poetry, its past, its present, and its future. Explications, delineations, categorizations, taxonomies, and various sundry groupings of poets and their work are of vital interest to the Society membership. See Conditions of Parole for more information.- Follow The New Black Bart Poetry Society on WordPress.com
-
Recent Posts
- The Poet’s Jazz Jive
- Black Bart Quarterly Review Of Books
- —Special Collection Gallery—
- —New To The Society’s Shelves—
- Reading & Writing
- Outlaws & Outliers
- Monsters of Vanity
- The Poet As Private Eye
- Needles Auto
- Poetry As Crime; Parole at Ten
- New To The Society’s Shelves, 2022
- DISFIGURED IAMBICS
- David Bromige: Always Better Than You Thought
- The Poet Encounters The Future of Poetry
- Sour Grapes
- What’s The Hold Up?
- How To Rehearse A Strophe
- Joanne Elizabeth Kyger: A Remembrance
- Set One
- Set Two
- Set Three
- Set Four
- Set Five
- Set Six: Art & Photo Gallery, Links & Notes
- Joanne Kyger: The Interview
- The Poet Learns To Surf
- Meditations In An Emergency~Part Two~
- Meditations In An Emergency ~Part One~
- “A Continuous Fabric (Nerve Movie?)” Part Two
- “A Continuous Fabric (Nerve Movie?)”
- Beyond Haiku
- This Heaven Where We Live As Music
- In Close Proximity—Part Two
- In Close Proximity—Part One
- Hello, I Must Be Going [Part II]
- Hello, I Must Be Going [Part I]
- The Education of Pat Nolan
- Whalen & Wieners: Eavesdropping on the Greats
- Fogged In Frisco
- Never Apologize, Never Explain, Part II
- The Poet As Cynic
- Provincialism and the Gentrification of Anglo-American Poetry, Part III
- Provincialism and the Gentrification of Anglo-American Poetry, Part II
- Provincialism and the Gentrification of Anglo-American Poetry, Part I
- On The Use Of Euphemism
- Blue Suede Shoes Redux: The Specimen Issue
- René Taupin’s André Salmon
- Years In The Making
- This Is How Legends Begin
- Montreal Mastermind
- A Taxonomy Of Poets
- hard as nails
- I Remember Tom Clark
- Meditation In A Big Cabin
- Poetry Is A Crowded Room, Part 2
- Bromige Was Here
- The Poet In Love
- The Anselm Hollo Challenge
- Into The Heart Of Wetness
- New To The Society’s Shelves
- Schools of Poetry, Part II
- Schools of Poetry, Part I
- Bill & Lou, Part II
- Bill & Lou, Part I
- How To Write A Preface
- Some Assembly Required
- Poetry Is A Crowded Room
- Bromige Immortalized!
- Rothenberg Poetry University
- The Poetry Reading
- Plagiarism and the Poetry of Ulalume González de León
- Lost And Found In Translation
- now be clay in the ground
- Gary Snyder’s Myths & Text
- The [Attempted] Assassination of Ted Berrigan
- Bathroom Art Galleries
- Snyder’s Cold Mountain
- Report: Scenes From Life
- Poetry In Exile
- Showing Vs. Telling, Part III
- Showing vs. Telling, Part II
- Showing vs. Telling, Part I
- The Great Broadside Swipe
- The NO HAT Lecture
- Nothing Is Forever
- Edgy Dreams
- In Conversation With Maureen Owen
- A Precursor to Haiku
- Commonplace Discoveries: Lew Welch
- Don’t Mess With Bill
- RHYTHM-A-NING
- At A Secret Location
- Jack’s Haiku Letter to Gary
- Epilegomena To The Prolegomena
- Philip Whalen; Beset By Irony
- Quantum Redux
- Minimalist Poetry
- Delete Punctuation
- Contributor’s Notes
- The Dharma Bums; Kerouac’s Dust Jacket Copy
- Someone Else’s Paul Blackburn
- Frank O’Hara’s Lunch Poems 50th Anniversary All-Star Reading
- Little Mag Art
- Way Way West
- Steve Carey, Smith Going Backward
- Scooping Black Bart
- Past Present Future Part II
- Past Present Future, Part I
- Notley Noir
- The Poetics of Defiance
- A Diamond Wired For Sound
- Never Apologize, Never Explain; The Poetry of Philip Whalen
- Who Reads Poetry Anymore?
- Bob Dylan: Musician or Poet?
- W.C.W. and his buddies shifting gears with a sometimes sticking clutch
Categories
Absolute Musts
Archives
- March 2023
- January 2023
- November 2022
- October 2022
- September 2022
- June 2022
- March 2022
- January 2022
- December 2021
- September 2021
- August 2021
- May 2021
- March 2021
- February 2021
- January 2021
- December 2020
- October 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- July 2017
- June 2017
- January 2017
- November 2016
- October 2016
- August 2016
- July 2016
- May 2016
- April 2016
- February 2016
- January 2016
- November 2015
- October 2015
- September 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- June 2014
- May 2014
- April 2014
- March 2014
- January 2014
- December 2013
- November 2013
- October 2013
- November 2012
- October 2012
- September 2012
Tag Archives: Beats
Poetry As Crime; Parole at Ten
Poetry As Crime; Parole at Ten by Pat Nolan In September of 2012, Parole, the blog of the newly reconstituted Black Bart Poetry Society whose motto is “For those who think poetry is still a crime,” started as irregular memos … Continue reading →
Posted in Poetry, Poetry Society
|
Tagged Alice Notley, Andrei Codrescu, Andrew Schelling, Anselm Hollo, Beats, Bill Berkson, Black Bart, Bruce Holsapple, Carol Ciavonne, Chinese Poetry, Dada, Dan Demers, David Perry, Futurism, Guillaume Apollinaire, Jack Kerouac, Japanese poetry, Jerome Rothenberg, Joanne Kyger, Julia Kristeva, Kandinsky, Keith Kumasen Abbott, Kenneth Rexroth, Lucille Friesen, Marcel Duchamp, Mark Young, Max Jacob, Modern Poetry, New York School, Parole, Philip Whalen, Pierre Bourdieu, Pierre Reverdy, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Robert Creeley, Ron Padgett, Sara Safdie, Schools of Poetry, Steve Carey, Steven Lavoie, Sun Dong, Surrealism, Ted Berrigan, The New Black Bart Poetry Society, Tim Hunt, Tom Clark, Tom Sharp, Vorticism, William Carlos Williams
|
2 Comments
Never Apologize, Never Explain; The Poetry of Philip Whalen
To: The Membership and Interested Parties From: Pat Nolan, Charter Member of The New Black Bart Poetry Society Subject: The Poetry of Philip Whalen The New Black Bart Poetry Society is pleased to feature excerpts from an extended essay by Pat … Continue reading →
Posted in Poetry, Poetry Society
|
Tagged Aldous Huxley, Allen Ginsberg, American Poetry, Auerhahn Press, Beats, Black Bart Poetry Society, Buddhism, Charlie Parker, Chinese poets, Clifford Burke, Corinth, Dave Hazelwood, Don Allen, Erthur Waley, Every Day, Ezra Pound, Fudo, Gary Snyder, Gertrude Stein, Jack Kerouac, Japanese haiku, Keith Kumasen Abbott, Kenneth Rexroth, Leslie Scalapino Madame Blavatsky, Lew Welch, Life Of Crime News Letter, Like I say, Memoirs of An Interglacial Age, Michael Rothenberg, Minor Moralia, Modern Poetry, On Bear's Head, Pacific Rim, Panjandrum Press, Peyote, Philip Whalen, Poetry, Poetry Blogs, Poetry Lessons, Poetry Society, Poetry Talks, Poets, R.H. Blyth, Samuel Johnson, San Franscisco Zen Center, Since You Asked Me, The Collected Poems of Philip Whalen, The New American Poetry, The New Black Bart Poetry Society, The Poetics of The New American Poetry, Thelonious Monk, W.B. Yeats, Walt Whitman, William Blake, William Carlos Williams
|
5 Comments
The New Black Bart Poetry Society 