Chas. E Boles AKA Black Bart
About The New Black Bart Poetry Society
The New Black Bart Poetry Society is not a school of poetry nor does it endorse or espouse a particular philosophy of poetry. The Society will entertain most any presentation on the art of poetry, its past, its present, and its future. Explications, delineations, categorizations, taxonomies, and various sundry groupings of poets and their work are of vital interest to the Society membership. See Conditions of Parole for more information.- Follow The New Black Bart Poetry Society on WordPress.com
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Recent Posts
- Black Bart Quarterly Review Of Books I-2
- IN THE BLACK
- Prose and The Poem
- —New To The Society’s Shelves—
- —Special Collection Gallery—
- Should I Stay Or Should I Go
- The Poet’s Jazz Jive
- Black Bart Quarterly Review Of Books
- —Special Collection Gallery—
- —New To The Society’s Shelves—
- Reading & Writing
- Outlaws & Outliers
- Monsters of Vanity
- The Poet As Private Eye
- Needles Auto
- Poetry As Crime; Parole at Ten
- New To The Society’s Shelves, 2022
- DISFIGURED IAMBICS
- David Bromige: Always Better Than You Thought
- The Poet Encounters The Future of Poetry
- Sour Grapes
- What’s The Hold Up?
- How To Rehearse A Strophe
- Joanne Elizabeth Kyger: A Remembrance
- Set One
- Set Two
- Set Three
- Set Four
- Set Five
- Set Six: Art & Photo Gallery, Links & Notes
- Joanne Kyger: The Interview
- The Poet Learns To Surf
- Meditations In An Emergency~Part Two~
- Meditations In An Emergency ~Part One~
- “A Continuous Fabric (Nerve Movie?)” Part Two
- “A Continuous Fabric (Nerve Movie?)”
- Beyond Haiku
- This Heaven Where We Live As Music
- In Close Proximity—Part Two
- In Close Proximity—Part One
- Hello, I Must Be Going [Part II]
- Hello, I Must Be Going [Part I]
- The Education of Pat Nolan
- Whalen & Wieners: Eavesdropping on the Greats
- Fogged In Frisco
- Never Apologize, Never Explain, Part II
- The Poet As Cynic
- Provincialism and the Gentrification of Anglo-American Poetry, Part III
- Provincialism and the Gentrification of Anglo-American Poetry, Part II
- Provincialism and the Gentrification of Anglo-American Poetry, Part I
- On The Use Of Euphemism
- Blue Suede Shoes Redux: The Specimen Issue
- René Taupin’s André Salmon
- Years In The Making
- This Is How Legends Begin
- Montreal Mastermind
- A Taxonomy Of Poets
- hard as nails
- I Remember Tom Clark
- Meditation In A Big Cabin
- Poetry Is A Crowded Room, Part 2
- Bromige Was Here
- The Poet In Love
- The Anselm Hollo Challenge
- Into The Heart Of Wetness
- New To The Society’s Shelves
- Schools of Poetry, Part II
- Schools of Poetry, Part I
- Bill & Lou, Part II
- Bill & Lou, Part I
- How To Write A Preface
- Some Assembly Required
- Poetry Is A Crowded Room
- Bromige Immortalized!
- Rothenberg Poetry University
- The Poetry Reading
- Plagiarism and the Poetry of Ulalume González de León
- Lost And Found In Translation
- now be clay in the ground
- Gary Snyder’s Myths & Text
- The [Attempted] Assassination of Ted Berrigan
- Bathroom Art Galleries
- Snyder’s Cold Mountain
- Report: Scenes From Life
- Poetry In Exile
- Showing Vs. Telling, Part III
- Showing vs. Telling, Part II
- Showing vs. Telling, Part I
- The Great Broadside Swipe
- The NO HAT Lecture
- Nothing Is Forever
- Edgy Dreams
- In Conversation With Maureen Owen
- A Precursor to Haiku
- Commonplace Discoveries: Lew Welch
- Don’t Mess With Bill
- RHYTHM-A-NING
- At A Secret Location
- Jack’s Haiku Letter to Gary
- Epilegomena To The Prolegomena
- Philip Whalen; Beset By Irony
- Quantum Redux
- Minimalist Poetry
- Delete Punctuation
- Contributor’s Notes
- The Dharma Bums; Kerouac’s Dust Jacket Copy
- Someone Else’s Paul Blackburn
- Frank O’Hara’s Lunch Poems 50th Anniversary All-Star Reading
- Little Mag Art
- Way Way West
- Steve Carey, Smith Going Backward
- Scooping Black Bart
- Past Present Future Part II
- Past Present Future, Part I
- Notley Noir
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Tag Archives: Kenneth Rexroth
Poetry As Crime; Parole at Ten
Poetry As Crime; Parole at Ten by Pat Nolan In September of 2012, Parole, the blog of the newly reconstituted Black Bart Poetry Society whose motto is “For those who think poetry is still a crime,” started as irregular memos … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Alice Notley, Andrei Codrescu, Andrew Schelling, Anselm Hollo, Beats, Bill Berkson, Black Bart, Bruce Holsapple, Carol Ciavonne, Chinese Poetry, Dada, Dan Demers, David Perry, Futurism, Guillaume Apollinaire, Jack Kerouac, Japanese poetry, Jerome Rothenberg, Joanne Kyger, Julia Kristeva, Kandinsky, Keith Kumasen Abbott, Kenneth Rexroth, Lucille Friesen, Marcel Duchamp, Mark Young, Max Jacob, Modern Poetry, New York School, Parole, Philip Whalen, Pierre Bourdieu, Pierre Reverdy, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Robert Creeley, Ron Padgett, Sara Safdie, Schools of Poetry, Steve Carey, Steven Lavoie, Sun Dong, Surrealism, Ted Berrigan, The New Black Bart Poetry Society, Tim Hunt, Tom Clark, Tom Sharp, Vorticism, William Carlos Williams
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Meditations In An Emergency~Part Two~
MEDITATIONS IN AN EMERGENCY ~Part Two~ By David Perry The Cosmopolitan, the Quotidian, and the Anthropocene Turn in Sun Dong’s 2020 Pandemic Poetry “春天在人类纪 欲呼无气,欲加口罩” — 孙冬《注视》 “Spring in the Anthropocene You who’d scream to breathe, add a mask” — Sun Dong, … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Bai Juyi, Black Bart, Chen Dongmei, Chenjiapu, David Perry, Du Fu, Eliot Weinberger, Frank O'Hara, J.P. Seaton, Kenneth Rexroth, Li Bai, Modern Poetry, Nineteen Ways of Looking at Wang Wei, Octavio Paz, Paper Republic, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Schools of Poetry, Sun Dong, The New Black Bart Poetry Society, Wang Wei
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Hello, I Must Be Going [Part II]
Hello, I Must Be Going [Part II] Excerpts from Thanks For Asking: The Whalen Journal by Steve Silberman In May of 1993, Michael Wenger at the San Francisco Zen Center contacted Steve and asked him if he … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Allen Ginsberg, Black Bart, Buddhism, California, California Poetry, Ezra Pound, Gary Snyder, Hartford Street Zen Center, Jack Kerouac, Kenneth Rexroth, Modern Poetry, Neurotribes, outlaw poets, Philip Whalen, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, San Francisco, Schools of Poetry, Steve Silberman, The New Black Bart Poetry Society, William Carlos Williams
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Hello, I Must Be Going [Part I]
Hello, I Must Be Going [Part I] Excerpts from Thanks For Asking: The Whalen Journal by Steve Silberman . In May of 1993, Michael Wenger at the San Francisco Zen Center contacted … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Albert Saijo, Allen Ginsberg, Buddhism, California Poetry, Don Carpenter, Dylan Thomas, Ezra Pound, Gary Snyder, Hartford Street Zen Center, Jack Kerouac, Jack Spicer, Kenneth Rexroth, Neurotribes, outlaw poets, Philip Whalen, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Robert Duncan, San Francisco, Schools of Poetry, Steve Silberman, The New Black Bart Poetry Society, William Carlos Williams
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The Education of Pat Nolan
The Education Of Pat Nolan An Anniversary Memorial for Keith Kumasen Abbott, 1944-2019 By Pat Nolan Paintings by Ivan Suvanjieff In pursuit of the writer’s life with absolutely no clue of what I was doing, I left the Midwest (c.1965) … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Alice Notley, Allen Ginsberg, Andrei Codrescu, Blue Wind Press, Buddhism, California, California Poetry, Clifford Burke, Coffee House Press, Gary Snyder, Ivan Suvanjieff, Jack Kerouac, Joanne Kyger, Keith Kumasen Abbott, Kenneth Rexroth, Modern Poetry, outlaw poets, Pat Nolan, Philip Whalen, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Richard Brautigan, Ron Padgett, San Francisco, Schools of Poetry, Steve Carey, Ted Berrigan, The New Black Bart Poetry Society, The New York School, William Carlos Williams
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Never Apologize, Never Explain, Part II
Never Apologize Never Explain, Part II Further Notes on Understanding the Poetry of Philip Whalen By Pat Nolan “Philip was always writing, always reading, and whenever possible playing music.” —Gary Snyder, Preface to The Collected … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Alice Notley, Allen Ginsberg, Anselm Hollo, Bill Berkson, Bruce Holsapple, Buddhism, California, California Poetry, Charles Olson, Donald Allen, Ezra Pound, Gary Snyder, Jack Kerouac, Joanne Kyger, Keith Kumasen Abbott, Kenneth Rexroth, outlaw poets, Pat Nolan, Philip Whalen, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Schools of Poetry, Steve Carey, Ted Berrigan, The New Black Bart Poetry Society, William Carlos Williams
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The Poet As Cynic
The Poet As Cynic Carl Wendt, poet and literary factotum, still adjusting to being awarded the megabucks Dorian Pillsbury Prize in Poetry, finds himself hitchhiking along a deserted Northern California backroad highway. Excerpt from Ode To Sunset A Year In … Continue reading →
Posted in Poetry, Poetry Society
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Tagged A Year In The Life of American Genius, California, California Poetry, Diogenes, fiction, Kenneth Rexroth, Modern Poetry, New York City, Ode To Sunset, outlaw poets, Pat Nolan, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, San Francisco, Schools of Poetry, The New Black Bart Poetry Society, William Carlos Williams
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Provincialism and the Gentrification of Anglo-American Poetry, Part III
“Socialization of culture devalues it as a form of social values which are then held to a standard and used as an admission price for exclusionary purposes.” … Continue reading →
Posted in Poetry, Poetry Society
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Tagged California, California Poetry, Ezra Pound, Jack Kerouac, Kenneth Rexroth, Life Of Crime News Letter, Modern Poetry, outlaw poets, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Schools of Poetry, Ted Berrigan, The New Black Bart Poetry Society, The New York School
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Provincialism and the Gentrification of Anglo-American Poetry, Part II
The Poète Maudit In The Rules of Art, Pierre Bourdieu identifies a major pattern shift occurring in the social ranks as a result of the 19th century industrial revolution. The rise of the bourgeoisie, of course, and the increase of itinerant … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Antonin Artaud, Black Bart, California, California Poetry, Gertrude Stein, Guillaume Apollinaire, James Joyce, Kenneth Rexroth, Marcel Duchamp, Marianne Moore, outlaw poets, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, San Francisco, Schools of Poetry, Ted Berrigan, The New Black Bart Poetry Society
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This Is How Legends Begin
I strove with none, for none was worth my strife. Nature I loved, and, next to nature, Art; I warm’d both hands before the fire of Life; It sinks, and I am ready to depart. —Walter Savage Landor Recollections, appreciations, … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Alice Notley, Basho, Blaise Cendrars, Buddhism, California, California Poetry, Chines Painting, Chinese calligraphy, Chinese Poetry, Clark Coolidge, Clifford Burke, Gary Snyder, Jack Kerouac, Keith Kumasen Abbott, Kenneth Rexroth, Maureen Owen, Modern Poetry, New York City, outlaw poets, Philip Whalen, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poets, Richard Brautigan, Ron Padgett, Russian River, San Francisco, Schools of Poetry, Ted Berrigan, The New Black Bart Poetry Society, The New York School, William Carlos Williams
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