Chas. E Boles AKA Black Bart
About The New Black Bart Poetry Society
The New Black Bart Poetry Society is not a school of poetry nor does it endorse or espouse a particular philosophy of poetry. The Society will entertain most any presentation on the art of poetry, its past, its present, and its future. Explications, delineations, categorizations, taxonomies, and various sundry groupings of poets and their work are of vital interest to the Society membership. See Conditions of Parole for more information.- Follow The New Black Bart Poetry Society on WordPress.com
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Recent Posts
- The Poet’s Jazz Jive
- Black Bart Quarterly Review Of Books
- —Special Collection Gallery—
- —New To The Society’s Shelves—
- Reading & Writing
- Outlaws & Outliers
- Monsters of Vanity
- The Poet As Private Eye
- Needles Auto
- Poetry As Crime; Parole at Ten
- New To The Society’s Shelves, 2022
- DISFIGURED IAMBICS
- David Bromige: Always Better Than You Thought
- The Poet Encounters The Future of Poetry
- Sour Grapes
- What’s The Hold Up?
- How To Rehearse A Strophe
- Joanne Elizabeth Kyger: A Remembrance
- Set One
- Set Two
- Set Three
- Set Four
- Set Five
- Set Six: Art & Photo Gallery, Links & Notes
- Joanne Kyger: The Interview
- The Poet Learns To Surf
- Meditations In An Emergency~Part Two~
- Meditations In An Emergency ~Part One~
- “A Continuous Fabric (Nerve Movie?)” Part Two
- “A Continuous Fabric (Nerve Movie?)”
- Beyond Haiku
- This Heaven Where We Live As Music
- In Close Proximity—Part Two
- In Close Proximity—Part One
- Hello, I Must Be Going [Part II]
- Hello, I Must Be Going [Part I]
- The Education of Pat Nolan
- Whalen & Wieners: Eavesdropping on the Greats
- Fogged In Frisco
- Never Apologize, Never Explain, Part II
- The Poet As Cynic
- Provincialism and the Gentrification of Anglo-American Poetry, Part III
- Provincialism and the Gentrification of Anglo-American Poetry, Part II
- Provincialism and the Gentrification of Anglo-American Poetry, Part I
- On The Use Of Euphemism
- Blue Suede Shoes Redux: The Specimen Issue
- René Taupin’s André Salmon
- Years In The Making
- This Is How Legends Begin
- Montreal Mastermind
- A Taxonomy Of Poets
- hard as nails
- I Remember Tom Clark
- Meditation In A Big Cabin
- Poetry Is A Crowded Room, Part 2
- Bromige Was Here
- The Poet In Love
- The Anselm Hollo Challenge
- Into The Heart Of Wetness
- New To The Society’s Shelves
- Schools of Poetry, Part II
- Schools of Poetry, Part I
- Bill & Lou, Part II
- Bill & Lou, Part I
- How To Write A Preface
- Some Assembly Required
- Poetry Is A Crowded Room
- Bromige Immortalized!
- Rothenberg Poetry University
- The Poetry Reading
- Plagiarism and the Poetry of Ulalume González de León
- Lost And Found In Translation
- now be clay in the ground
- Gary Snyder’s Myths & Text
- The [Attempted] Assassination of Ted Berrigan
- Bathroom Art Galleries
- Snyder’s Cold Mountain
- Report: Scenes From Life
- Poetry In Exile
- Showing Vs. Telling, Part III
- Showing vs. Telling, Part II
- Showing vs. Telling, Part I
- The Great Broadside Swipe
- The NO HAT Lecture
- Nothing Is Forever
- Edgy Dreams
- In Conversation With Maureen Owen
- A Precursor to Haiku
- Commonplace Discoveries: Lew Welch
- Don’t Mess With Bill
- RHYTHM-A-NING
- At A Secret Location
- Jack’s Haiku Letter to Gary
- Epilegomena To The Prolegomena
- Philip Whalen; Beset By Irony
- Quantum Redux
- Minimalist Poetry
- Delete Punctuation
- Contributor’s Notes
- The Dharma Bums; Kerouac’s Dust Jacket Copy
- Someone Else’s Paul Blackburn
- Frank O’Hara’s Lunch Poems 50th Anniversary All-Star Reading
- Little Mag Art
- Way Way West
- Steve Carey, Smith Going Backward
- Scooping Black Bart
- Past Present Future Part II
- Past Present Future, Part I
- Notley Noir
- The Poetics of Defiance
- A Diamond Wired For Sound
- Never Apologize, Never Explain; The Poetry of Philip Whalen
- Who Reads Poetry Anymore?
- Bob Dylan: Musician or Poet?
- W.C.W. and his buddies shifting gears with a sometimes sticking clutch
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Tag Archives: Lucille Friesen
—New To The Society’s Shelves—
—New To The Society’s Shelves— Mark Young, Your Order Is Now Equipped For Shipping, Sandy Press, 2022Editor and publisher of the online omnibus art and poetry vortex, Otoliths, Mark Young has his finger on the pulse contemporary poetry internationally. His … Continue reading →
Posted in Poetry Society, Uncategorized
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Tagged Daniel Coshnear, Gail King, Gwen O'Gara, Kit Robinson, Lucille Friesen, Mark Young, Modern Poetry, Phyllis Meshulam, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Rain Taxi, Sandy Berrigan, Schools of Poetry, Ted Greenwald, Terry Ehret, The New Black Bart Poetry Society, The Poetry Project Newsletter, The Recluse
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Poetry As Crime; Parole at Ten
Poetry As Crime; Parole at Ten by Pat Nolan In September of 2012, Parole, the blog of the newly reconstituted Black Bart Poetry Society whose motto is “For those who think poetry is still a crime,” started as irregular memos … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Alice Notley, Andrei Codrescu, Andrew Schelling, Anselm Hollo, Beats, Bill Berkson, Black Bart, Bruce Holsapple, Carol Ciavonne, Chinese Poetry, Dada, Dan Demers, David Perry, Futurism, Guillaume Apollinaire, Jack Kerouac, Japanese poetry, Jerome Rothenberg, Joanne Kyger, Julia Kristeva, Kandinsky, Keith Kumasen Abbott, Kenneth Rexroth, Lucille Friesen, Marcel Duchamp, Mark Young, Max Jacob, Modern Poetry, New York School, Parole, Philip Whalen, Pierre Bourdieu, Pierre Reverdy, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Robert Creeley, Ron Padgett, Sara Safdie, Schools of Poetry, Steve Carey, Steven Lavoie, Sun Dong, Surrealism, Ted Berrigan, The New Black Bart Poetry Society, Tim Hunt, Tom Clark, Tom Sharp, Vorticism, William Carlos Williams
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What’s The Hold Up?
New To The Society’s Shelves, 2021 It’s that time again: books received by The New Black Bart Poetry Society have been piling up ever since the Society’s librarian took a lunch break more than 12 months ago and hasn’t returned. … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Bill Porter, Chinese Literature, Chinese Poetry, Chuang Tzu, Clifford Burke, David Schneider, Donald Guravich, Elizabeth Herron, Eric Johnson, Japanese poetry, Joanne Kyger, Joel Dailey, John Johnson, Lucille Friesen, Mark Young, Modern Poetry, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Red Pine, Robert Hébert, Sabina Knight, Sandy Berrigan, Schools of Poetry, Tanka, The New Black Bart Poetry Society, Tinker Greene
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Lost And Found In Translation
Lost And Found In Translation By Pat Nolan “To produce a translation that may be accurate according to the dictionary, but bland and distant from the spirit of the poem because one has either ignored or misunderstood the author’s poetics … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Acadian, Adrian King-Edwards, Alice Notley, American samizdat, Aram Saroyan, Bill Berkson, Black Bart, Blaise Cendrars, Blue Pig, Brendan King-Edwards, Bruce Andrews, California, California Poetry, Champlain, Clark Coolidge, Collège de Maisonneuve, David Ball, Derniers tabous, Eric Selland, Frank O'Hara, French Canadian, Gaspé Peninsula, George Tysh, Histoires Naturelles, James Schuyler, Jean Follain, Jean Le Gac, Joanne Kyger, Joe Brainard, Jules Renard, Keith Waldrop, Lucille Friesen, Max Jacob, McGill University, Modern Poetry, Montreal, New France, outlaw poets, Philippe Soupault, Pierre Reverdy, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Quebec City, Quebecois poetry, Robert Hébert, Roberto Bolaño, Rosemary Waldrop, Rudiments d’us, Schools of Poetry, The New Black Bart Poetry Society, The Poetry Project, The Word Bookstore, Tom Raworth, Trois-Revière
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W.C.W. and his buddies shifting gears with a sometimes sticking clutch
To: The Membership and Interested Parties From: Charter Member Luci Friesen aka The Gaucho Subject: W.C.W. and his buddies shifting gears with a sometimes sticking clutch “What were we seeking? No one knew consistently enough to formulate a ‘movement.’ We … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Alfred Stieglitz, Black Bart, California Poetry, Charles Olson, Denise Levertov, Ed Dorn, Emily Dickenson, Ezra Pound, Gary Snyder, Lucille Friesen, Marcel Duchamp, Modern Poetry, New Jersey, Paterson, Poetry Blogs, Poetry Lessons, Poetry Society, Robert Creeley, Russian River, Rutherford, Sylvia Plath, Walt Whitman, William Carlos Williams, William Stafford
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Reach For The Sky
To: The Reanimated Membership and Interested Parties From: Chinee, The Grand Poohbah Subject: Picking Up Where We Left Off Sometimes it is best to leave well enough alone. Why wade into a controversy that is old news, has dropped from … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Andrei Codrescu, Antonin Artaud, Black Bart, Charles Bukowski, Chax Press, Coffee House Press, Coracle Press, David Biespiel, Edges Of Water, Facebook, Ferdinand Celine, Franz Wright, Ideal Cafe Editions, James Wright, Like, Lucille Friesen, Maureen Owen, MFA, Modern Poetry, outlaw poets, PIE, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Primavera Patagonica, Pulitzer Prize, Rush Limbaugh, Schools of Poetry, So Recently Rent A World, Ted Berrigan, The Grass Is Greener, The New Black Bart Poetry Society, The Rumpus, writing programs
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The New Black Bart Poetry Society 