Tag Archives: outlaw poets

Showing Vs. Telling, Part III

Showing vs. Telling: Toward a Rhetoric of the Page Part 3 of 3 by Tim Hunt “The page might be said to function reflexively: the poet interacts with the page in fashioning an aesthetic object; the reader in turn re-enacts … Continue reading

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Showing vs. Telling, Part II

Showing vs. Telling: Toward a Rhetoric of the Page ~Part 2 of 3~ by Tim Hunt “This is not to suggest that listening is inferior to visual processing.  It is, rather, to note that speaking/hearing and writing/reading are different modes … Continue reading

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Showing vs. Telling, Part I

Showing vs. Telling: Toward a Rhetoric of the Page Part 1 of 3 by Tim Hunt  “The medium of writing must be, it seems, either an attempt to subvert, an attempt to ignore and hide, or an attempt to engage … Continue reading

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The Great Broadside Swipe

The Great Broadside Swipe and Other Proceedings of the 2nd Black Bart Poetry Society Convention Celebrating the Life and Work of Joanne Kyger (1934—2017) Commonweal Retreat Center Bolinas Calif. July 22, 2017. by Steven Lavoie Decades passed, yet she persisted. … Continue reading

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Nothing Is Forever

Nothing Is Forever: Philip Whalen’s “Kozan-ji” and Kyoto catalysis by Keith Kumasen Abbott From Whalen’s notebook 16:IV: 68: Walking, looking at blossoming rhododendrons—I thought how much I used to love them, to be turned on by them: I depended upon … Continue reading

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Don’t Mess With Bill

Don’t Mess With Bill; An Appreciation Poet and art critic Bill Berkson achieved personal entropy in San Francisco on Thursday, June 16th, 2016 at the young age of 76.  June 16th also happens to be Bloomsday celebrated around the world … Continue reading

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RHYTHM-A-NING

RHYTHM-A-NING Philip Whalen’s Rhythmic Inventions: Thelonious Monk, Calligraphy and Zen Principles by Keith Kumasen Abbott (Originally published in Paul Kahn’s New Magazine #3, 2007) Since You Asked Me This poetry is a picture or graph of a mind moving, which … Continue reading

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