Chas. E Boles AKA Black Bart
About The New Black Bart Poetry Society
The New Black Bart Poetry Society is not a school of poetry nor does it endorse or espouse a particular philosophy of poetry. The Society will entertain most any presentation on the art of poetry, its past, its present, and its future. Explications, delineations, categorizations, taxonomies, and various sundry groupings of poets and their work are of vital interest to the Society membership. See Conditions of Parole for more information.-
Recent Posts
- Never Apologize, Never Explain, Part II
- The Poet As Cynic
- Provincialism and the Gentrification of Anglo-American Poetry, Part III
- Provincialism and the Gentrification of Anglo-American Poetry, Part II
- Provincialism and the Gentrification of Anglo-American Poetry, Part I
- On The Use Of Euphemism
- Blue Suede Shoes Redux: The Specimen Issue
- René Taupin’s André Salmon
- Years In The Making
- This Is How Legends Begin
- Montreal Mastermind
- A Taxonomy Of Poets
- hard as nails
- I Remember Tom Clark
- Meditation In A Big Cabin
- Poetry Is A Crowded Room, Part 2
- Bromige Was Here
- The Poet In Love
- The Anselm Hollo Challenge
- Into The Heart Of Wetness
- New To The Society’s Shelves
- Schools of Poetry, Part II
- Schools of Poetry, Part I
- Bill & Lou, Part II
- Bill & Lou, Part I
- How To Write A Preface
- Some Assembly Required
- Poetry Is A Crowded Room
- Bromige Immortalized!
- Rothenberg Poetry University
- The Poetry Reading
- Plagiarism and the Poetry of Ulalume González de León
- Lost And Found In Translation
- now be clay in the ground
- Gary Snyder’s Myths & Text
- The [Attempted] Assassination of Ted Berrigan
- Bathroom Art Galleries
- Snyder’s Cold Mountain
- Report: Scenes From Life
- Poetry In Exile
- Showing Vs. Telling, Part III
- Showing vs. Telling, Part II
- Showing vs. Telling, Part I
- The Great Broadside Swipe
- The NO HAT Lecture
- Nothing Is Forever
- Edgy Dreams
- In Conversation With Maureen Owen
- A Precursor to Haiku
- Commonplace Discoveries: Lew Welch
- Don’t Mess With Bill
- RHYTHM-A-NING
- At A Secret Location
- Jack’s Haiku Letter to Gary
- Epilegomena To The Prolegomena
- Philip Whalen; Beset By Irony
- Quantum Redux
- Minimalist Poetry
- Delete Punctuation
- Contributor’s Notes
- The Dharma Bums; Kerouac’s Dust Jacket Copy
- Someone Else’s Paul Blackburn
- Frank O’Hara’s Lunch Poems 50th Anniversary All-Star Reading
- Little Mag Art
- Way Way West
- Steve Carey, Smith Going Backward
- Scooping Black Bart
- Past Present Future Part II
- Past Present Future, Part I
- Notley Noir
- The Poetics of Defiance
- A Diamond Wired For Sound
- Never Apologize, Never Explain; The Poetry of Philip Whalen
- Who Reads Poetry Anymore?
- Bob Dylan: Musician or Poet?
- W.C.W. and his buddies shifting gears with a sometimes sticking clutch
- Wheelbarrow, Chickens, Weather
- Reach For The Sky
- Memo to the Membership
- The New Black Bart Poetry Society; Minutes of the Inaugural Meeting Oct. 3, 2012
- NBBPS Provisional Mission Statement 09/21/2012
- Inaugural Meeting Agenda 10/3/12
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Category Archives: Poetry Society
Never Apologize, Never Explain, Part II
Never Apologize Never Explain, Part II Further Notes on Understanding the Poetry of Philip Whalen By Pat Nolan “Philip was always writing, always reading, and whenever possible playing music.” —Gary Snyder, Preface to The Collected … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Alice Notley, Allen Ginsberg, Anselm Hollo, Bill Berkson, Bruce Holsapple, Buddhism, California, California Poetry, Charles Olson, Donald Allen, Ezra Pound, Gary Snyder, Jack Kerouac, Joanne Kyger, Keith Kumasen Abbott, Kenneth Rexroth, outlaw poets, Pat Nolan, Philip Whalen, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Schools of Poetry, Steve Carey, Ted Berrigan, The New Black Bart Poetry Society, William Carlos Williams
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The Poet As Cynic
The Poet As Cynic Carl Wendt, poet and literary factotum, still adjusting to being awarded the megabucks Dorian Pillsbury Prize in Poetry, finds himself hitchhiking along a deserted Northern California backroad highway. Excerpt from Ode To Sunset A Year In … Continue reading →
Posted in Poetry, Poetry Society
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Tagged A Year In The Life of American Genius, California, California Poetry, Diogenes, fiction, Kenneth Rexroth, Modern Poetry, New York City, Ode To Sunset, outlaw poets, Pat Nolan, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, San Francisco, Schools of Poetry, The New Black Bart Poetry Society, William Carlos Williams
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1 Comment
Provincialism and the Gentrification of Anglo-American Poetry, Part III
“Socialization of culture devalues it as a form of social values which are then held to a standard and used as an admission price for exclusionary purposes.” … Continue reading →
Posted in Poetry, Poetry Society
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Tagged California, California Poetry, Ezra Pound, Jack Kerouac, Kenneth Rexroth, Life Of Crime News Letter, Modern Poetry, outlaw poets, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Schools of Poetry, Ted Berrigan, The New Black Bart Poetry Society, The New York School
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1 Comment
Provincialism and the Gentrification of Anglo-American Poetry, Part II
The Poète Maudit In The Rules of Art, Pierre Bourdieu identifies a major pattern shift occurring in the social ranks as a result of the 19th century industrial revolution. The rise of the bourgeoisie, of course, and the increase of itinerant … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Antonin Artaud, Black Bart, California, California Poetry, Gertrude Stein, Guillaume Apollinaire, James Joyce, Kenneth Rexroth, Marcel Duchamp, Marianne Moore, outlaw poets, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, San Francisco, Schools of Poetry, Ted Berrigan, The New Black Bart Poetry Society
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1 Comment
Provincialism and the Gentrification of Anglo-American Poetry, Part I
Definitions To start with a definition: provincialism, a mode of thought no longer solely relegated to regions outside high density urban areas, and characterized by narrow-mindedness, insularity, lack of, or excess of, sophistication. “The provincialism of contemporary poets represents a … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Anglo-American, Black Bart, California, California Poetry, Dylan Thomas, Gary Snyder, Gentrification, Hannah Arendt, Joanne Kyger, Mary Gilbert, Modern Poetry, outlaw poets, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Reading, Poetry Society, Poetry Talks, Poets, Provincialism, Robert Graves, Schools of Poetry, The New Black Bart Poetry Society
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3 Comments
On The Use Of Euphemism
Carl Wendt took note that the swim consisted of a lot of information about the proportions of oxygen to hydrogen, and a lot of that information consisted of lists, of coincidences, of lists of coincidences, and that he was doing … Continue reading →
Posted in Poetry, Poetry Society
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Tagged A Year In The Life of American Genius, California, California Poetry, Carl Wendt (fictitious character), masturbation, Ode To Sunset, online serial fiction, outlaw poets, Pat Nolan, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Richard "Dick" Granahan (fictitious character), San Francisco, Schools of Poetry, The New Black Bart Poetry Society
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Blue Suede Shoes Redux: The Specimen Issue
Legend has it that that Keith Abbott joined the mimeograph underground by liberating a ream of paper from the WWSC English Department supply closet, acquiring a quire of stencils (one may say that now), and finding someone with a mimeograph … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Alice Notley, Allen Ginsberg, Aram Saroyan, Avron Hoffman, Barbara Barracks, Bill Bathurst, Black Bart, Bob Heman, Bruce Andrews, California, California Poetry, Clifford Burke, Curtis Faville, David Gitin, Dennis Kelly, Gary Snyder, Glen Baxter, Harris Schiff, Jack Anderson, Jim Brodey, Jim Gustafson, Keith Kumasen Abbott, Larry Fagin, Life Of Crime News Letter, Marcel Duchamp, Mary Norbert Korte, Michael Sowl, Michael-Sean Lazarchuk, mimeo mags, mimeo revolution, mimeograph press, Modern Poetry, New York City, Opal L. Nations, outlaw poets, Pat Nolan, Paul Violi, Philip Whalen, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Ray DiPalma, Richard Brautigan, Richard Snyder, Ron Padgett, San Francisco, Schools of Poetry, Steve Carey, Steven Lavoie, Ted Berrigan, The New Black Bart Poetry Society, The New York School, Tom Clark, Tom Raworth
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1 Comment
René Taupin’s André Salmon
André Salmon was important to the “Objectivists” because he, “like his friend Guillaume Apollinaire,” was among “the generation which devolved from Symbolism.” The methods which they “devolved” were similar to that of the “Objectivists.” Symbolism discarded, André Salmon now wrote … Continue reading →
Posted in Poetry, Poetry Society
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Tagged André Salmon, Baudelaire, Black Bart, Cubists, Eisenstein, Ezra Pound, George Oppen, Guillaume Apollinaire, Louis Zukofsky, Mallarme, Modern Poetry, nominalism, Poetry, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, René Taupin, The New Black Bart Poetry Society, The Objectivists
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This Is How Legends Begin
I strove with none, for none was worth my strife. Nature I loved, and, next to nature, Art; I warm’d both hands before the fire of Life; It sinks, and I am ready to depart. —Walter Savage Landor Recollections, appreciations, … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Alice Notley, Basho, Blaise Cendrars, Buddhism, California, California Poetry, Chines Painting, Chinese calligraphy, Chinese Poetry, Clark Coolidge, Clifford Burke, Gary Snyder, Jack Kerouac, Keith Kumasen Abbott, Kenneth Rexroth, Maureen Owen, Modern Poetry, New York City, outlaw poets, Philip Whalen, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poets, Richard Brautigan, Ron Padgett, Russian River, San Francisco, Schools of Poetry, Ted Berrigan, The New Black Bart Poetry Society, The New York School, William Carlos Williams
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2 Comments
Montreal Mastermind
The praise or public proclamation poem in the US is not exactly a lost art but one that has been relegated to inaugural sentiment, politic posture, public polemic, and John Philip Sousa huzzahs. In fact, under tight-ass Anglo constraints, the … Continue reading →
Posted in Poetry, Poetry Society
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Tagged Émile Nelligan, Black Bart, California, Modern Poetry, Montreal, outlaw poets, Pat Nolan, Poetry Blogs, Poetry Lectures, Poetry Lessons, Poetry Society, Poetry Talks, Poets, Quebecois poetry, Réjean Ducharme, Robert Hébert, Schools of Poetry, The New Black Bart Poetry Society, translation
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